- By
- Oscar Ralf
- Date
- 09.04.2024
As part of our project for student accommodation provider, Urbanest, at their brand new, passivhaus-certified building in Battersea, Acrylicize commissioned Theo Chaudoir to create a bespoke series of artworks that bring a fresh, locally inspired narrative to the space. Supporting early-career artists in commercial projects like this is vital - it provides them with invaluable professional experience, and introduces new voices into the creative landscape. By offering opportunities like this, we can bridge the gap between education and professional practice, giving young artists the confidence and exposure needed to establish themselves in the industry.
Theo Chaudoir is an artist born and bred in South London who, through his lived experiences growing up in the city, creates work that explores the vibrancy of urban life. A graduate in Human Geography from the University of Sheffield, Theo brings a psychological and sociological perspective to his art, examining the deep connections between people and their built environment. Now in his second year studying Fine Art at the City and Guilds of London Art School, his practice is shaped by found objects and street photography, capturing the architecture, green spaces, and communities that define the city. Through large-scale paintings and murals, Theo translates the intensity, brutalism, and diversity of South London into bold, expressive works.
Theo in his studio at the City and Guilds of London Art School
Theo, can you tell us about your experience working on your first commercial project alongside Acrylicize?
Working alongside Jo McLaughlin, Lead Curator at Acrylicize, on the Urbanest Battersea project has been an incredibly valuable experience. It was both exciting and challenging, pushing me to consider my work in a real-world context beyond my personal practice. I was encouraged to develop concepts that stayed true to the brief while also allowing space for my own creative interpretation. It was particularly rewarding to see how my artistic voice could contribute to a larger design vision, and I’ve come away from the experience with a clearer understanding of how to navigate future commissions.
"Breathing life into spaces through art is one way of helping build connections and a sense of wellbeing."
Theo Chaudoir
Can you tell us how you responded to the pillars set during the Urbanest commission?
The brief set out four key pillars, providing a structured foundation while allowing room for creativity. My aim was to create a cohesive narrative across the series, ensuring that each piece felt both distinct and interconnected. I explored ways to visually interpret these themes while drawing inspiration from the local area, embedding references that would feel meaningful to those who live and study there. I had space to explore my own ideas freely while keeping the essence of the commission intact.
Describe what it was like first seeing your work displayed at Urbanest?
Seeing the work installed in its final setting was a special moment. It’s one thing to create in a studio, but another entirely to witness how the pieces interact with their environment and how people engage with them. Having lived in student accommodation myself, I understand the importance of creating spaces that feel welcoming and inspiring. Student life in a big city can sometimes feel overwhelming or isolating, so I love the idea that art can play a role in building a sense of connection and belonging. It was rewarding to see how my work could contribute to that atmosphere, hopefully offering moments of joy to those passing through.
Do you feel it is important that more companies, like Urbanest and Acrylicize, support young artists and offer them opportunities getting their careers off the ground?
The tradition of companies supporting artists through commissions is a long-standing one, and it’s great to see businesses like Urbanest and Acrylicize continuing that legacy. Opportunities like this are invaluable for emerging artists, offering both exposure and professional experience that can be difficult to access early in a career. For my peers looking to break into this space, I’d say don’t be afraid to put yourself forward—reach out, share your work, and be open to opportunities that might take your practice in new directions. Having this commission has reinforced my confidence that there is space for emerging creatives, and I hope more businesses continue to invest in supporting new talent.
